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USA / Duration 2 H 22 Min / Star Mark Hamill / Creators Chris Terrio / Year 2019 / J.J. Abrams.
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14/06/2019 - 21/12/2019 Rogue One[2016]: I like this film just fine. It looks pretty and has decent enough action. I also love the ending and think is the boldest thing this franchise has ever done (not that that is saying much). That said, none of the characters are memorable/likeable and the film is generally pointless (its sole purpose is to clog a plot hole that didn't need filling). Overall, though, it is fine. Enjoyable enough. Jojo Rabbit[2019]: Full Review: Little Women[2019]: This is a very sweet and charming version of the Little Women story. It looks great and has an awesome cast (Saoirse Ronan and Florence Pugh, in particular, are amazing - though everyone is good). I do think it is a little convoluted in its storytelling (it flicks between the past and present, but without much - or any - just cause; and it just makes the film quite confusing to follow, at least at first). However, it is ultimately very moving and emotional, and the themes of family and ambition are very, very strong. So overall, I did quite enjoy it. It's really solid. Galaxy Quest[1999] I love the premise to this film (honestly, it's kinda genius), and think it is, ultimately, enjoyable enough. Alan Rickman, Tim Allen and Sigourney Weaver are all fantastic, as was anyone playing one of the aliens in the movie. I also think the script is fun, and has a nice theme of the power of fandom. The story is a little tiresome and the novelty wears off a bit as the film progresses, but it's still a solid watch. Not great, but enjoyable, quirky, charming and fun. Star Wars: The Rise of Skywalker[2019] - Spoiler Free As some of the people on this sub will know, I am not a Star Wars fan: never have been, probably never will be (I never got into it in my youth and generally think they're deeply flawed films in my older-youth). And even in spite of that... this film disapointed me. To be positive: it is stunning (one particular trophy-room duel could be, perhaps, the best shot/directed/edited Star Wars scene of all time) and incredibly well acted (Adam Driver, of course, is great; as are Daisy Ridley, John Boyega, Oscar Isaac, Carrie Fisher and the main people of note. Anthony Daniels, however, is the star - and, in some ways, heart - of this film, and is fantastic, here). What's more, there are some fun moments throughout. But holy sh*t is this film a total mess. It's a mess within its own borders (a scavenger hunt, really? Four-hundred mcguffins, really? No logical throughline, really? ) and is a shredder to this franchise's legacy when placed in the grander role of not just this trilogy, but this franchise as a whole. The highly speculated return of a certain someone makes zero sense and is just a cheap ploy for fan appreciation. The entire opening twenty minutes are just an apology for The Last Jedi and make that film redundant. The storytelling is just a mesh of scenes - fun scenes, I'll admit - stitched together. The character arcs are null-and-void. There is no emotional, gravitas, grandeur or epic scale to be found anywhere in the film. It's the end of a nine-film legacy and instead of a bang it was a whimper. I hate so many of the storytelling decisions in this movie but I'll be nice and not spoil them. Honestly, I hope people love this movie... but I think it's total mess. Cats[2019] However, ROS is a billion-trillion-to-the-power-of-a-quadrillion times better than this tiresome, frustrating, ugly looking, paper-thin and excruciatingly sing-y (they sing EVERY TWO MINUTES! FOR TWO HOURS! ) musical. The visual effects are no better here than they were in the infamous trailer. I hesitate to say there is a plot. It's full of characters who get there own individual introductory song but so little of an actually interesting/likeable personality. I did like the "Memory" song. That was very well sang and somewhat emotional. The rest of the film is an unfunny, soulless waste. I don't hate it - because that would imply annoyance, which I, perhaps surprisingly, don't feel. I just think it is an abomination of film. It's awful. It's, like, super-duper bad. Not even enjoyably bad, though. Like, bad-bad-bad! Please go see it.
People keep telling me, they know me. No one does. I Do. Wow. What a dialogue. XD.

Im so glad that JJ Abrams is back at the helm. Really looking forward to the Mandalorian series. I loved seeing more of them in Rebels. Star wars: episode ix - the rise of skywalker watch free series. Star wars 3a episode ix- the rise of skywalker watch free wallpaper. Star Wars: Episode IX - The Rise of Skywalker Watch free software. Star Wars IX: The Search For More Money coming soon. Star wars 3a episode ix- the rise of skywalker watch free status. Star wars: episode ix - the rise of skywalker watch free putlocker.

Star wars 3a episode ix- the rise of skywalker watch free karaoke. © 1962-2020 Bauer Media Group Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141 Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing, Company Number: LP003328 Registered Office: Academic House, 24-28 Oval Road, London, NW1 registered in England and Wales. VAT no 918 5617 01 Bauer Consumer Media Ltd are authorised and regulated by the FCA(Ref No. 710067). Star Wars: Episode IX - The Rise of Skywalker Watch free download.

I love how there is no proper consistency between the 3 movies. Star wars 3a episode ix- the rise of skywalker watch free shoes. Star Wars: Episode IX - The Rise of Skywalker Watch free web site. Star wars: episode ix - the rise of skywalker watch free video. Star wars: episode ix - the rise of skywalker watch free download. Star wars episode ix - the rise of skywalker watch online free. Star wars: episode ix - the rise of skywalker watch free movies.

Star wars: episode ix - the rise of skywalker watch free season. Han Solo: that's not how the force works. You literally had the same trailer as the official official trailer. Star wars: episode ix - the rise of skywalker watch free online. Star wars: episode ix - the rise of skywalker watch free stream. Star wars: episode ix - the rise of skywalker watch free full. Star Wars: Episode IX - The Rise of Skywalker Watch freedom.

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RIP Carrie Fischer. If only Leia got to lead The Rise of Skywalker. Well, Emperor Palpatine is the next best choice. Star wars episode ix - the rise of skywalker watch free. Star wars: episode ix - the rise of skywalker watch free live. The movie was fine. People who dislike it are fanboys that were expecting to see The Empire Strikes Back in the theater.

Star wars: episode ix - the rise of skywalker watch free tv. Star wars 3a episode ix- the rise of skywalker watch free cake. Star wars: episode ix - the rise of skywalker watch free watch. Star Wars: Episode IX - The Rise of Skywalker Watch free. Star wars: episode ix - the rise of skywalker watch free streaming. I dont think she was a clone, I feel like that's a stretch. Han and chewy taking care of her could be realistic.

Star Wars: Episode IX - The Rise of Skywalker Watch free mobile. The last movie was a decent end to the new trilogy, of course it was never going to come close to the original, but what can? It had its issues here and there, but all in all I enjoyed it, best of the new trilogy, I'd say. Will certainly watch it again at some point, but it's not going in my top 10 list any time soon.

Now this is pod racing -Darth Vader. Star Wars: Episode IX - The Rise of Skywalker Watch free online. Ive never had so many chills at once in my life! So many amazing themes that are so recognizable. We dont deserve Williams or this music. Star wars 3a episode ix- the rise of skywalker watch free cover. Star wars: episode ix - the rise of skywalker watch free 2017. Star Wars: Episode IX - The Rise of Skywalker Watch. Star wars: episode ix - the rise of skywalker watch free play. Ill make my judgement on viewing. Being born in 74, I know I will enjoy the fan service. A point to remember. The originals didnt have a plan and are all very different. Then again its a shame so many Star Wars viewers are too young to have experienced the originals at the time of release.

[ Ed. note: This review reveals no specific plot points from Star Wars: The Rise of Skywalker. Polygon will have more in-depth story analysis in future reviews and essays after the film’s Dec. 20 release. ] It’s been more than 40 years since George Lucas launched an entire universe with 1977’s Star Wars, later styled as Star Wars: Episode IV — A New Hope. The film was an instant hit, in part because it was such an original take on familiar material. Lucas drew heavily on classic Westerns and Akira Kurosawa films to shape his galaxy far, far away, but he gave the setting a fresh and highly specific new face and tone. Aping the past while revamping it into the future has been built into Star Wars’ DNA from the very beginning. So J. J. Abrams’ finale, Star Wars: The Rise of Skywalker, with its aggressive, relentless copycatting of the past, should fit thematically into Lucas’ vision. But it doesn’t feel like it’s respecting the series’ past. It’s more like Abrams is obsessively hiding behind it. Back when the final Star Wars trilogy was about to launch with 2015’s The Force Awakens, fans were vocally nervous about what Abrams would do to their beloved franchise. He had previously resurrected the Star Trek film franchise in a sleeker, younger, much more foul-mouthed and smart-assed form. His alteration of the Trek canon included some major rewrites of beloved characters and a newly revved-up tone. While some audiences embraced the changes, others bridled at them, and openly wondered what Star Wars would look like if Abrams tried to give it an equally frat-boy-minded mentality. But Abrams took a different tack. The Force Awakens embraced fan nostalgia by re-creating A New Hope for a new era. Half sequel, half stealth remake, The Force Awakens introduced a reskinned Empire and a new Darth Vader, a gender-swapped Luke Skywalker and a modernized R2-D2, and a whole lot more familiar elements. Fans and critics alike were generally positive about the film, which set out to hand Star Wars over to a new generation of young heroes. At the same time, it turned those characters into fan avatars who thrilled at the chance to hang out with their heroes Luke Skywalker (Mark Hamill), Leia Organa (Carrie Fisher), and Han Solo (Harrison Ford) — even as those older heroes were in the process of moving on. Rian Johnson’s sequel, The Last Jedi, leaned much harder on the “handover to the new generation” idea, with a kill-your-idols approach that subverted fan expectations and openly asked viewers to accept that the series was evolving away from the Skywalker lineage that defined Lucas’ original film trilogy. As a result, The Last Jedi has proved incredibly contentious, with detractors varying mostly in whether they blame the message, the execution, or both. Seemingly leery of that divisive response, Abrams steers The Rise of Skywalker straight back to the nostalgia-courting approach that served him so well with The Force Awakens. Image: Lucasfilm/Disney The most notable effect of that plan is that just as The Force Awakens mirrors A New Hope in characters, conflicts, and plot beats, Episode IX closely mirrors 1983’s Return of the Jedi, to the point where savvy fans could easily call out half the locales, enemies, and story turns well in advance. It’s a remarkably safe and timid approach, one that consciously reflects viewers’ cinematic pasts back at them, with a “You loved this last time, right? Here’s more of it! ” attitude. It’s the rom-com method of storytelling, essentially cinema as comfort food: The story is pat and predictable enough to be soothing, and the surprises exist only in the details that mix up the story. In this case, those telling details largely come in the form of abruptly introduced new abilities that change the dynamics of a lot of conflicts. The new Sith abilities that drive the plot may rankle purists, but they’re part of the buy-in for the story. The new space-battle tactics are much more likely to frustrate viewers who remember past canon. And fans who raged over The Last Jedi ’s introduction of heretofore unseen Force powers aren’t going to have an easier time with The Rise of Skywalker, which pushes the Force even further into the realm of “all-powerful, all-flexible magic bullet” than ever before. Those abilities come to Rey (Daisy Ridley) and, more notably, her fated adversary Kylo Ren (Adam Driver), whose psychic connection with Rey is used to keep the plot moving along at a breakneck speed, to force a series of confrontations that form the movie’s backbone, and to enable a number of startlingly visually playful meetings of the mind. The nonstop pace is an advantage in some ways for The Rise of Skywalker. It makes the film feel like a sped-up victory tour around the Star Wars galaxy, as the protagonists hop rapidly from one planet and conflict to the next, meeting new allies and worrying over past foes. The gasping pace doesn’t leave much time for contemplating plot holes, or noticing that the stakes feel lighter than ever, even though in theory, entire planets are on the line. It also doesn’t leave time for further character development, any form of nuance, or even a moment’s reflection on the passing of an age. The Rise of Skywalker pointedly opens with a series of action scenes featuring different characters in different environments, all charging forward with such a frantic, breathless intensity that the audience is blocked from wondering why or whether any of the action matters. And that energy rarely lets up over the course of close to two and half hours. All this charging about would feel more consequential if the characters’ goals didn’t feel so arbitrary. Early on, Abrams and co-writer Chris Terrio introduce one of the laziest of cinematic tropes: an all-important MacGuffin the characters must find to move forward. The protagonists spend a great deal of time and energy chasing this object, but they’re constantly interrupted by new and changing goals of the moment, which are often reached and resolved in a blind rush. It frequently feels as if no one really cares what the characters are pursuing, as long as they’re doing it loudly, quickly, and with plenty of callbacks to the original trilogy, from characters to situations to specific lines. The sense of a great deal of busywork being accomplished in an immense rush prevents The Rise of Skywalker from developing any larger themes, apart from the need to remind fans that they loved it when, say, Luke faced his evil cave doppelgänger in The Empire Strikes Back, or when Obi-Wan Kenobi posthumously whispered advice in Luke’s ear in A New Hope. It’s the first film of the final trilogy to lean on these echoes in place of any larger ideas. The Force Awakens was arguably about how history is cyclical, and the battles of the past will need to be fought again in the future by a new wave of idealists who may know little about the forces that shaped their environment. The Last Jedi was about letting go of the past entirely, and accepting that the future is more important. But The Rise of Skywalker is almost a meta-movie about how Star Wars is cool, and people’s memories of it are cool, and their ability to follow an endless string of references is cool. Finn (John Boyega) and Poe Dameron (Oscar Isaac) get their share of screen time, alongside classic characters Lando Calrissian (Billy Dee Williams), Chewbacca (Joonas Suotamo), and C-3PO (Anthony Daniels), who’s still the endlessly belittled butt of derisive jokes, even as he briefly, hurriedly takes on his most central role in the series to date. Rose Tico, played by Kelly Marie Tran, has an insultingly minimal role this time out, but the late Carrie Fisher as Leia gets as much screen time as previously shot footage allows, and it’s a moving send-off. Yet they’re all ciphers in a fast-moving machine that zips from one planet to another, and from one space battle or lightsaber battle to the next, with little sense of impact. Some of those clashes look tremendous — one fight that takes place in the middle of a raging sea is visually stunning and weighty — but shockingly few of them really matter, especially in an environment where so many of the seemingly monumental plot developments are quickly reversed. Abrams and Terrio do attempt to bring scale and consequence to The Rise of Skywalker, but many of their biggest gambits are meant more for the fans than for the characters. At one point, Rey announces that she embodies all the past Jedi of history, while her adversary says he’s all the Sith that came before him. At another point, she returns to a beloved past locale from the film series — one she has no personal connection to, but appears to be enjoying entirely on the audience’s behalf. There’s certainly a palpable sense throughout The Rise of Skywalker that the creators are trying to revisit and pay off every satisfying battle and memorable moment from Skywalker Saga history all at once, by echoing them and turning them into a single symbolic conflict that can be repeated here one last time. That sense of repetition and nostalgic recognition dominates the film, far more than any single revelation or payoff. The message, to the degree that The Rise of Skywalker bothers with one, is that we all remember and love Star Wars, so of course we’d be glad to see it all again, remixed and revved up and delivered in an energetic gabble. But it’s bizarre to see Abrams and Terrio implying that even after 40 years of waiting for a finale, they just don’t have time to slow down, take a breath, and consider who these characters are, or what they’ve become after so many trials and traumas. It’s honestly true that George Lucas’ series kickoff A New Hope, with its tremendous creativity and its tremendous legacy, holds more cultural weight than anything the series is doing today. So repeatedly referencing and recapitulating that film and its direct sequels may feel more significant, and more fan-friendly, than striking out with an original vision. But having the people in charge of Star Wars ’ legacy acknowledging their own inability to move forward is a sad way for the story to end. Even as The Rise of Skywalker ’s characters claim their ultimate triumph, the film feels clumsy, hurried, and above all, like an admission of creative defeat. Star Wars: The Rise of Skywalker hits theaters on Dec. 20.

JJ Abrams, the cast, and the crew delivered on all of my hopes with this one. Can't say thank you enough to them for such a fitting and touching end. Best Star Wars movie since Empire.

Columnist: Andrew Rosin Forever

Info Roland aimed his Thompson gun. He didn't say a word, and he blew Van Owen's body from there to Johannesburg. he/him.

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